Confounding expectations, Modiwo have emerged from the shadows of the Carpathian Mountains to become one of the country’s breakout musical success stories, whilst also giving their time to support charity projects around the world. Initially forming in order to provide entertainment for local orphanages and retirement projects, demand for the band’s music grew to such a scale that they agreed to become a band in their own right.
Joining together musical forces from Romania, Ukraine, Moldova and Hungary, their unique anthemic dream-pop sound is embellished in their live shows with alpine horns, didgeridoos, and shakuhachi solos. Their latest track, “Never Give Up”, is an achingly blissful pillow of sunshine which brings to mind all the dreamiest elements of The Beloved.
Watch the video to Never Give Up here:
Their work for charities has also seen them charge entry fees to their gigs in donations of fruit instead of cash – all the proceeds going to local orphanages.
Promo for the charity event Fruit Fusion: https://youtu.be/U5R6-mFEqH4
Hailing from South Carolina, concept artist M3staken (M3) has ended his trilogy of albums with Rain. After the releases of Apex and Water Colors, which announced the eccentric style of M3 to the world, he has continued in much the same vein with the latest record.
Although Apex experimented with a hint of classical piano, juxtaposed with M3staken’s fracturing producer style, the second and third records focus on complicated beats and a haunting ambience.
Although M3staken takes inspiration from contemporary acts such as Joey Bada$$, Jamie XX and FKA Twigs, these influences are mere hints that the talented young producer draws upon when concocting his complex style of music.
As the last piece of M3’s trilogy, he notes that this is the album that has meant the most to him due to its conclusive nature that seems to summarise his style. M3 commented that Rain is ‘loosely connected to my two previous works and it is primarily a collection of my personal favourite songs’.
‘Sympathy For the Devil’ is the latest release from the debut EP of LA based production team, AT-ATs On The Beach (ATATOTB). With a world full of stereotyped electronic music, the group are trying to avoid this, taking their own distinct approaches to composing which they build on from their experience as film editors and producers.
The new EP features some original mixes from ATATOTB, as well as some remixes of huge artists like Elton John and The Eagles. In addition, ‘Sympathy For The Devil’ takes the Rolling Stones classic and morphs it into a cover like you’ve never heard before, in an entirely different genre- Guns’N’Roses eat your heart out.
The group are known for their previous work on films like Black Swan, The Thing and Wrath of the Titans, when they went under the name of InFiction. With edgy theatrical remixes and melodies crafted specifically for downtempo-chill communities, ATATOTB have tapped into a niche of electronic music which they have seemingly become the pioneers of.
With new styles of electronic music developing all the time, the group set themselves apart from the crowd with rhythmic beats, pulsating bass lines and experimental instrumentation.
Exciting artist and producer, M3staken, otherwise known as M3 is releasing his super-experimental soundtrack album that blends elements of classical piano and electronic music with his primary genre of hip-hop.
Taking inspiration from huge acts such as Joey Bada$$, FKA Twigs and Jamie XX, it’s clear that M3’s style is one that is hard to pin down. However, this is not a bad thing; blending genres, experimenting with music and seeing what happens is an admirable trait within the musicianship of the ambitious M3staken.
The 8-track album entitled Apex works as an attempt to create a unique fusion of classical, hip-hop and electronic styles. He states that “as a primarily hip-hop based artist, it was important for me to emphasise the amount of musicality there is in hip-hop, while also using a mix of classical styles and modern techniques”.
M3staken’s classical sound contrasting with the hip-hop beats comes from unique techniques such as using live classical pianos rather than samples, thus escaping the hip-hop cliché.